Showing posts with label art rock. Show all posts
Showing posts with label art rock. Show all posts

Tuesday, 27 August 2024

Victory

Thanks to Dave Franklin and NYCs The Big Takeover for their review of Victory - which goes live on streaming on 20th September and is already available physically: 

"If Minerva was the first piece of the triptych jigsaw that makes up a set called A Cornucopia: Minerva, Victory, Bounty, then it may come as no surprise to find that Victory, The Speed of Sound’s latest album, is the second installment in the series. And if that first one proved to be fun and eclectic, exploratory and unique, then at least your expectations are set for this new sonic adventure. To be honest, anyone following the Speed of Sound story for the last few years…or 35, will already be braced to expect, if not the unexpected, then at least the unusual, challenging, and thoroughly rewarding.

But if Minerva sought to stick two fingers up to the powers-that-be of the record label-dominated music scene, Victory perhaps takes a more laid-back approach. The songs are still laced with optimism and a sense of liberation, but they seem to be less picking a fight and just happy to make some less pointed points.

One of the main points is about the joy of making music for the sake of it, art for art’s sake. So here we find a collection of songs, and indeed a band, that isn’t looking to get rich, famous, look cool, or even be noticed but instead revel in the pleasures of creativity and expression.

Ironically, it is this freedom to not play the game enables them to produce songs that could easily be chart contenders in a more discerning world. If opener “Apocalypse Acropolis” feels like a tentative start, when taken as one half of the bookend set with “Apocalypse Metropolis,” its more measured way makes sense against its partner’s beat-driven, hazy vocals and trumpet-riffed nature.

Recent single, “Underground,” might not look to the mainstream for admirers. Still, those of us who have been around the block a few times will recognize its blend of indie and pop and slightly rawer edges, its jangling guitars and shuffling beats, sing-along refrains, and alternative ways, as precisely the sort of thing that used to create the unusual high points and left-field guile that occasionally peppered the 80’s charts as the wave of post-punk attitudes merged into a new pop sound.

And then there are tracks like “Rock, Paper, Scissors,” which revel in their otherness, a cornucopia (wink wink) of Eastern vibes and raga beats, a blend of masala rock that builds a bridge between late-era Beatles and bands such as Orphaned Land.

I guess when you stop conforming to the rules and regulations set by those around you, when you decide to leave the game and make music on your terms, that is when you make the music that matters, to you at least, music that goes where you want it to go, sounds the way you want it to sound and says what you want it to say. I’m sure Speed of Sound has always had such an attitude, but albums like A Cornucopia: Victory and the set that it is a part of are the perfect rallying point for those who don’t want to be dictated to…both music makers and those who want to listen to something new, authentic and different." 

The Big Takeover: https://bigtakeover.com/recordings/the-speed-of-sound-victory-big-stir-records 

All Links for Victory (physical/streaming/download): https://victorythespeedofsound.hearnow.com/a-cornucopia-pt-2-victory 

Friday, 27 August 2021

Vive Le Rock review of Museum Of Tomorrow

 Huge thank to Vive Le Rock magazine for reviewing Museum Of Tomorrow in issue 85, very nice:

Bright and poppy future shocks.
8/10
Some very interesting and rather charming stuff here from Manchester’s The Speed Of Sound, who present a future shock with the science-fiction-drenched ‘Museum Of Tomorrow’, presented as two galleries ss opposed to two sides of vinyl, each tune representing a conceptual image. Musically this is a mixed bag from sunny and bright New-Wave styled pop to jangly indie in the style of 90’s bands such as Salad, all the way through to punky cuts thst have long shadows of Blondie trailing after them. There is even a 60s aesthetic at work on the spacey ‘Wired And Tired’. The duelling vocals of Ann-Marie Crowley and guitarist John Armstrong work a treat especially on tunes like ‘Opium Eyes’, while instrumentation remains at a high technical level as The Speed Of Sound launch themselves through various stratospheres. Unique and otherworldly.”
Bruce Turnbull
Vive Le Rock (no.85) 27Aug2021

The one-click-to-everywhere album link is here

and here's the review in its natural setting



Thursday, 5 December 2019

30th Anniversary CD

Here it is: the 30th Anniversary, and the 30th Anniversary CD.
Specially remastered and balanced for this release, a selection released here on CD for the first time Only available on the shop page of the website:

I See You
Seen It All Before (acoustic)
I Don't Want Your Attentions
I'm Real (without fade)
Shut All The Clubs (single version)
Love (single version)
Girl On The Roof (single version)
Checkered Land (2014)
Maid Of The Grey (single version)
There's No One There (live 2013)
Nightmare (1989)
I Wanna Feel Good (1989)

Postal delivery of physical music

30 years of independence